Look Eric Doeringer is so cool thnx. @fragmentsshoredagainstmyruin:
Source: Flickr / simon_rayssac
John Cage performing on Nam June Paik’s TV special called ‘Good Morning Mr. Orwell’ from 1984. In the beginning, we see that Cage is joined by Takehisa Kosugi and one other unidentified person. perhaps they were performing a composition or improvisation that they would have done during a Merce Cunningham dance. there is also a cut away to a Joseph Bueys piano performance art piece.
John Cage performing “Water Walk” in January, 1960 on the popular TV show I’ve Got A Secret.
via WFMU:
http://blog.wfmu.org/freeform/2007/04/john_cage_on_a_.html
“At the time, Cage was teaching Experimental Composition at New York City’s New School. Eight years beyond 4:33, he was (as our smoking MC informs us) the most controversial figure in the musical world at that time. His first performance on national television was originally scored to include five radios, but a union dispute on the CBS set prevented any of the radios from being plugged in to the wall. Cage gleefully smacks and tosses the radios instead of turning them on and off.
While treating Cage as something of a freak, the show also treats him fairly reverentially, cancelling the regular game show format to allow Cage the chance to perform his entire piece. “
#artBasel PRESS PRESS PRESS ERIC DOERINGER IS ALWAYS THE BEST!
Art Basel: Blake Gopnik on the Festival Where Art Is a Commodity
Or, How I Learned to Stop Worrying and Love Art Basel. Blake Gopnik hits the famous festival where art is a commodity—with Monopoly money in hand. read more
Art Basel: Blake Gopnik on the Festival Where Art Is a Commodity
Or, How I Learned to Stop Worrying and Love Art Basel. Blake Gopnik hits the famous festival where art is a commodity—with Monopoly money in hand. read more
Fortune Cookie Art Quote: “I will not make any more boring art”- John Baldessari
Take 5: JohnBaldessari
#artBasel there are sales in the air, I can just smell it! @SCOPEartshow
#artBasel PRESS PRESS PRESS Eric Doeringer is the Best
New York Art Critic Offers Money, Sex for Fake Painting
New York Magazine’s art critic Jerry Saltz loves Gerhard Richter’s paintings. A lot. So much so that the three-time Pulitzer nominee offered either $1,000 or a sex act to any artist who could make him a replica.
—-of course Eric Doeringer’s name came up! Who else could dupe an authenticator—I want Eric to do it for my own selfish reasons, I want juicy icky details of the sex act!
#artBasel Photo of the Day I always transport my crates of art in my convertible Mustang, don’t you?
The best #artBasel event calendar. thanx @SocialMiami
Miami 2011 Art Basel Guide
Art’s Winter Playground
Art Basel Miami Beach is once again upon us bringing with it a swarm of satellite art fairs and parties that envelope the entire city. Detailing the non-stop activity is SocialMiami’s Art Basel Guide. From Fairchild to Wynwood, the Design District, MiMo, Brickell, Downtown, Midtown, North Beach and South Beach, all of Miami-Dade is ready to host inarguably the largest convergence of people from the international art world to descend upon a single locale for the entire year.
SocialMiami’s 2011 Art Basel Guide is sponsored by Stella M. Holmes and The Brickellian.
Fortune Cookie Art Quote: It would be strange for me to think I’m being ripped off, because that’s what I do! In those days, it was called “pirating.” Now they call it “sampling.”- Richard Prince
Take 5: Richard Prince
CTS_December 2011
-scope MIAMI
featuring David Kramer, Eric Doeringer, Jack Balas, and Victoria Campillo
Run Dates: November 29th - December 4th 2011
Opening Date: Tuesday November 29th 4-8pm VIP Preview
Location: -SCOPE Pavilion
Directions: NE 1st Ave (Midtown Blvd) at NE 30th St., Miami, FL 33127
we have a limited number of free day passes to the -scope art fair to receive a complimentary pass please contact us.
.jpg)
Eric Doeringer, Stains (after Ed Ruscha) 2009, 78 page portfolio including 75 stains on paper and one stain on box interior, edition of 10, each page approx: 12x11in (31x28cm) box approx 13x12x1in (32x29x3cm)
Image courtesy of {CTS} creativethriftshop, NY.
{CTS} creative thriftshop is excited to announce our participation at -scope Miami (November 29th- December 4th, 2011 booth A05). -scope art fair is celebrating it’s eleventh year in which it established its name by curating cutting-edge contemporary art from around the world. Cementing its future with an 80,000 square foot pavilion across the street from Art Miami, SCOPE Miami’s high-profile venue is centrally located in the heart of the Wynwood Arts District. Running concurrently with Art Basel Miami, SCOPE’s Midtown Miami home is just steps from The Rubell family collection, Margulies Collection at the Warehouse and Goldman Collection.
For this year’s presentation CTS is excited to join galerist Katharine Mulherin from Katharine Mulherin Contemporary in presenting a group show under the joint name Mulherin | CTS. We will have on exhibt the work of four artists Eric Doeringer, David Kramer, Jack Balaa, and Victoria Campillo.
Please don’t forget to Download Collectrium app to better experience the art shows during the week of artBasel. If you want to know more about that work of art? Just snap an image of the piece and Collectrium will provide you with instant information about the artwork, the artist and the gallery. You can add your own notes, mark as a favorite or share it with friends. You can find us under the gallery name of Mulherin | CTS- take a look.
Eric Doeringer a multimedia artist based in Brooklyn, NY. works addresses issues of illegality, the art market, and the intersection between subculture and popular culture in America. In this presentation we hang three works in a kind of “California Conceptualist” installation featuring works recreated after John Baldessari, Charles Ray, and Ed Ruscha. Here the artist has stretched the allowance of what perhaps the artist ideology intended when they said - anyone simply by following a set of written instruction could create said works..jpg)
Jack Balas, Jizz, 2009, oil and enamel on canvas, 24x30in (76x61cm)
Image courtesy of {CTS} creativethriftshop, NY.
Jack Balas is interested in recontextualizing images of men in a variety of emotional and stylistic scenarios — a context in which they function as everyman, but are more vulnerable than their surface perfection might suggest. Reaching beyond the fleeting surface and the idealization associated with youth the work deals with timeless ideas such as: truth, beauty, faith, time, the infinite, what we learn and what we know. Art has the capacity to offer some transcendent spark to bridge the gap between intent and form, between idea and the evidence of our lives. Muse indeed..jpg.jpg)
David Kramer, Props and Excuses, 2011, oil on canvas with drink cart, glass bottles, and light, 61x60in (155x152cm)
Image courtesy of Katharine Mulherin, Toronto
David Kramer makes art work that tells jokes and stories or creates visual puns all asking similar types of proverbial questions and then questioning why the stock answers never quite seems to fit. Using advertisements and lifestyle magazine images, often from his youth in the 1970’s, Kramer is on an eternal mission looking for clues as to the whereabouts of the “Good Life” and the American Dream often depicted in these pages. His own proverbial questions often shape up to questions of why hasn’t his own life lived up to the promises doled out by both Hollywood and Madison Avenue.%202006,%20lambda%20print,%20edition%20of%203.jpg)
Victoria Campillo, Intimacy Series (077 Jackson Pollock), 2006, lambda print, edition of 3, 19x24in (48x60cm)
Image courtesy of {CTS} creativethriftshop, NY.
Victoria Campillo is a kind of mad scientist, working in a dizzying almost schizophrenic pace creating series of photographs that number in the hundreds. The themes are limitless, countless, immune to repeating yet are based wholly on the idea of repetition. Her work deals greatly with the unconscious science of visual recognition. Establishing the relationship between the eye and the mind ability and its gravity to process categorization and identification on a primordial level.
###
For additional information, a price list, hi-rez images, and/or an artist press kit, please contact us.
VIEW RECENT PRESS 11-2011 Eric Doeringer/ LA WEEKLY
VIEW RECENT PRESS 07-2011 Eric Doeringer/ Absolute Art
VIEW RECENT PRESS 05-2011 Eric Doeringer/ Frieze Magazine
VIEW RECENT PRESS 03-2011 Eric Doeringer/ Hyperallergic
VIEW RECENT PRESS 02-2011 Eric Doeringer/ NYARC
VIEW RECENT PRESS 02-2011 Eric Doeringer/ Bad at Sports *radio interview
VIEW RECENT PRESS 09-2011 David Kramer/ NY Art Beat
VIEW RECENT PRESS 06-2011 David Kramer/ New American Painters
VIEW RECENT PRESS 06-2010 David Kramer/ The Gallery Beat *video
VIEW RECENT PRESS 12-2010 Jack Balas/ The Art Point
VIEW RECENT PRESS 06-2011 Jack Balas/ The Advocate
Want more information about CTS:
{CTS} creative thriftshop | 635 Humboldt St. Brooklyn, NY. 11222 | www.creativethriftshop.com | info@creativethriftshop.com
Interview Magazine | Maurizio Cattelan
Best known for his facetious art productions, which are as surprising as they are unsettling, Maurizio Cattelan is the ultimate sideliner artist, poking holes in art, art history, monumentality, and nationalism.
“I cannot fight with arms, but I can kill him with my pencil”
a caricature of Libyan dictator Moammar Gadhafi seen on the wall in the rebel-held Benghazi, Libya. The graffiti, in Arabic, reads, “Adel, Tata, Ezzou, Mohammed.” Moammar Gadhafi is loved in Libya’s rebel capital _ as a subject for street artists to mock. Caricatures of the embattled Libyan leader dot walls and buildings across Benghazi in renderings that range from crude sketches to elaborate satire such as Gadhafi being knocked around by a rebel-colored boot or depicted with a Nazi swastika. AP Photo/Sergey Ponomarev.
Source: artdaily.org





